Remembering Jeffrey Cobham: A Legacy in Music and Banking
Jeffrey Cobham, a Barbadian by birth, left an indelible mark on Jamaica’s banking sector and the vibrant arts community. His recent passing on August 13 has left many heartbroken, particularly among those who knew him as a passionate supporter of music and dance. Cobham’s contributions extended far beyond finance; he was a visionary impresario who nurtured talent and fostered creativity.
On August 29, friends, family, and admirers gathered at the Chapel of the University of the West Indies (UWI) Mona Campus to celebrate his life. The memorial service was a heartfelt tribute, filled with music that echoed Cobham’s love for the arts. Before the official service began, attendees were treated to a series of musical performances that highlighted the depth of Cobham’s influence.
The program kicked off with a lively solo piano piece by Marjorie Whylie, a musical icon and longtime friend of Cobham. Their friendship blossomed during their days in the UWI steel pan ensemble, and Whylie later invited him to join her band at the National Dance Theatre Company (NDTC). Accompanied by violinist Peter Ashbourne, Whylie performed Bach/Gounod’s “Ave Maria” and the jazz classic “Unforgettable,” setting a poignant tone for the evening.
As the tributes continued, the National Dance Theatre Singers took the stage. Faith Livingstone’s rendition of “Going Home” resonated deeply, followed by Carl Bliss’s heartfelt performance of “Smile.” Carole Reid, accompanied by Dr. Roger Williams, dean of the School of Music at the Edna Manley College of the Visual and Performing Arts, delivered moving renditions of “Give Me Jesus” and “I Walk With God.” Dr. Williams also performed “Jamaican Dance No. 2” by Oswald Russel, a special tribute from the School of Music, where Cobham served as Chairman for several years.
Charmaine Limonius brought tears to many eyes with her interpretation of “Tears in Heaven,” accompanied by classical guitarist Shawn Richards. Rosina Christina Moder, executive director of the Music Unites Jamaica Foundation, performed the Jamaican folk song “Fi Mi Love Have Lion Heart” on recorder, with Norman McCallum on guitar—an instrument Cobham cherished throughout his life.
The musical tributes culminated in a powerful finale featuring the National Chorale of Jamaica. Their stirring rendition of “Amazing Grace” brought all the performing artists together, including former NDTC singers Charles Wright and Wesley Scott, along with Janilee Abrikian, a close friend of Cobham. The collective performance was a fitting farewell, filled with emotion and gratitude.
Cobham’s legacy extends beyond his musical contributions. He was a steadfast supporter of music education and scholarships, playing a crucial role in the mission of the Music Unites Jamaica Foundation. His vision and financial assistance enabled many, including Shawn Richards, to pursue their musical dreams, such as studying guitar in Venezuela. In 1996, Cobham co-organized a landmark symposium on Cuban music, further showcasing his commitment to the arts.
As the community mourns the loss of Jeffrey Cobham, his impact on the arts and banking will not be forgotten. His life serves as a reminder of the power of passion and dedication. How will we continue to honor his legacy in our own lives?